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[5] 72-77 Revillout
her intellectual curiosity
to the present day
de la famille Fonseca da Fonseca e Fonseca
la tyrannie s'offre comme le premier acteur et le premier objet de la pensée politique grecque
Bonnard et le Japon. Beaux-arts [5] 72-77 RevilloutPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a
