Giulietta Masina. La muse de Fellini. Gréco-romain from the 1970s onwards

from the 1970s onwards

" "civilizations

placing particular emphasis on its interpretation in the context of the Exposition as a whole

It also allows us to evoke

By mysteries are meant the paradoxes that bathe it: a peremptory but delicate thought

Giulietta Masina. La muse de Fellini. Gréco-romain from the 1970s onwardsSince Giulietta Masina was, as Zo Valds writes, "a woman sonata", three authors compose for the interpreter of La Strada, Les Nuits de Cabiria and Juliette des Esprits a score in three movements; the Cuban novelist evokes her discovery of Giulietta and Fellini in a Havana cinema, and the influence of the actress on her literary work; then Dominique Delouche, assistant to the Maestro and filmmaker himself, speaks of the creative but painful