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Komatsu Hiroko
considered Auguste Rodin's greatest work
too often remained in the shadow of Croesus
The book also covers techniques for embellishment
at a relative distance from contemporary passions
On n'a pas retrouvé l'oiseau. Bretagne Komatsu HirokoUrbex photographs and the words of a poet pay homage to the lives erased in the rusty shadow of the steel monsters of the industrial basins of Wallonia and Northern France, to these tools that were the pride of the workers' know how. A story to be passed on, its grandeur and its decay, is the underlying theme of the book.
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