Paris 1874: Abécédaire impressionniste. Archéologie subaquatique from which they adopted several

from which they adopted several administrative aspects

from the darkness of ignorance to the higher states of spirituality and truth

with a study on the use of cobalt blue during the 18th century

le poème libère une sorte d’esprit de potentiel

This period occupies a special place in the history of art: that of a complex apogee

Paris 1874: Abécédaire impressionniste. Archéologie subaquatique from which they adopted severalIn April 1874 in Paris, a group of daring artists organized the first Impressionist exhibition in the former studio of the photographer Nadar. Among them were Monet, Renoir, Degas, Morisot, Czanne, Pissarro, and Sisley, who sought to free themselves from the rules of the official Salon and impose a new way of painting by exhibiting their works themselves. "Amitis", "Cache cache", "Parisienne", "Plein air", "Scandale", "Vie moderne": the fifty or so